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"Sculpture has helped me to observe people."
“I have only had a simple mental picture of Boris who I knew through reports from others.” “It was in the course of a conversation about the nature of memory that I suggested making a life size sculpture of him – model Boris in clay. I wanted to capture the charm of Boris’ work, that of an observer of his contemporaries.” “Classicaly, as always happens, the work – here the sculpture – assume the role of a third party in the sculptor-model relationship. In the “Clay Figure” the camera plays this role.” “Shown on its own, the film shows the designer-scenery-actor relationship. The statue facing the camera reflects an absurd image, even unhealthy (the sculpture within the sculpture) of the creation of art.” “Pictures as sculpture.” (Paulus BRUN)
{{'DUREE' | translate}}: 40'
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{{"ECRIT_ET_REALISE_PAR" | translate}}
Lehman Boris, Brun Paulus
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{{"SCENARIO" | translate}}
Boris LEHMAN
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{{"IMAGE" | translate}}
Antoine-Marie MEERT
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{{"SON" | translate}}
Henri MORELLE, Bruno TARRIERE
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{{"MONTAGE_IMAGE" | translate}}
Daniel DE VALCK
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{{"MONTAGE_SON_ET_MIX" | translate}}
Antoine BONFANTI
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{{"INTERPRETE" | translate}}
Boris LEHMAN, Paulus BRUN
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{{"PRODUCTION" | translate}}
Dovfilm
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{{"COPRODUCTION" | translate}}
WIP
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{{"FESTIVAL_SELECTION_PRIX" | translate}}
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1990 : International Film Forum, Riga (Lettonie)
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1990 : Festival international d'Oberhausen (Allemagne)
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1990 : Film Festival de Bombay (Inde)
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1990 : Festival international de Rotterdam (Pays-Bas)
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1989 : FIPA pour l'Unesco, Paris (France)
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1989 : Grand Prix au Festival du court métrage de Media 10/10, Namur (Belgique)
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1989 : Grand Prix du court métrage au Festival international du nouveau cinéma et de la vidéo, Montréal (Canada)
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